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HAIL Argento!
I must make the following statement: THE STENDHAL SYNDROME radiates with
such brilliance, I can hardly describe it in a sane terminology. It was
released in 1996 and should therefore be easily available. The term
"surreal" does not do justice to the film's poetic MACHT.
Dario Argento's film is a marriage of HELL and HADES: a union of Jean
Cocteau's LE SANG D'UN POETE and Luis Bunuel's UN CHIEN ANDALOU! Even
good old Willy Blake would not see angels dancing in the 2-D trees on
the screen! Beautiful Asia Argento plays Anna, and Anna enters Boticelli
paintings and sensuously kisses a monster fish (squeezed out by Dagon
himself?).
Stendhal lost himself in a gallery, intoxicated by the beauty of oil
paint and canvases. Anna loses herself in Hieronymus Bosch's dark orgy
worlds and hears the painful whispers of her own descent into the SPIRAL
TRAP! Thomas Kretschmann plays the beautiful Aryan Alfredo who sings
tunes to blood that drips from lips of people he loves and rapes. He
becomes intoxicated with sheer SABINIAN pleasure, and he wears a snazzy
suit. Did I mention the soundtrack was composed by Italian demi-god
Ennio Morricone? Go and rent it, o defiler of the ancient scrolls!
In an interview with the German gore-zine SPLATTING IMAGE, Argento
explains why so many Italian directors are obsessed with Germany and the
Third Reich in particular: "It is about the Germans' obsession with
death, the celebration of death, the death cults. Look at Art Deco: They
are beautiful works, but they seem like mortuary art, Art Deco has
something to do with funerals. We Italians are also fascinated with Leni
Riefenstahl and her work. The OLYMPIA films, TRIUMPH OF THE WILL, we are
very impressed by her style."
Argento also talks about the power of the Swastika: "The symbol of
German Fascism, the Swastika, is a holy symbol, a symbol of eternity. I
am not sure if I am conscious of it, maybe I am merely reflecting what I
see around me, and these symbols, these aesthetics are arguably the
simplest and most commonly understandable expression of that which moves
me. Fascism is still present in Italy, as a memory, of course, but also
in daily life, in many details."
- Constantin von Hoffmeister
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